Earwash

In a twisted twenty-ninth episode, Australia's foremost eroticist Jonathan Crepuscular explains his failed foray into true crime podcasting.

To mark International Men's Day, we have our most international man, critic Horace Perrault, on the podcast. Contains an analysis of a major news event that i am certain you have never heard before, in a way that is far less offensive than you would expect.

In a technological twenty-seventh episode, Douglas tries using AI to assist with a creative slump

In a special bonus episode, we bring you Australia's premier insect race, the Centipede Cup. Hear all the thrills, spills and mixed grills (don't ask where the drumsticks come from) in a race guaranteed to be more thrilling than a mere horse race.

In a tachometric twenty-sixth episode, we learn about the insect world's answer to the Melbourne Cup, and discover that for this weeks' guest, every day is leg day.

In an underwhelming twenty-fifth episode celebration, Douglas regales a largely indifferent world with the contents of one of his notebooks. May contain traces of gorilla.

In a trypographic twenty-fourth episode, geographically confused American Jennifer Cash weighs in on the recent referendum. It's not as offensive as you may expect.

In a tendentious twenty-third episode, we hear from Bruce Plank about how the town of Horsham and surrounding area has inspired his music, and the surprising number of times PETA has taken issue with his music. With a lot more discussion about the town of Gringegalonga than is reasonable to expect.

In a terpsichorean twenty-second episode (it's the 22nd episode, not an episode that lasts only 20 seconds) Douglas talks to American expat Jennifer about her experience of watching Australian football for the first time, although Jennifer has other things she wants to discuss...

In a transumptive twenty-first episode, we dive once more into Douglas's notebooks due to a combination of much content and little editing time preventing things other than a barrage of obscene nonsense with no context. So, no change from the usual there.